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Sunday, 28 December 2014
Wednesday, 24 December 2014
Mihail Chemiakin . "After Picasso"
473 - 474.
"Transformation de Picasso"
"After Picasso"
Color lithograph - 182/300 1991
Limited Edition: (300)
In the lower-left margin. Inscribed "After Picasso"
Signed by initials lower left in the plate.
Signed and numbered in pencil.
Mihail Chemiakin is a Russian painter, stage designer, sculptor and publisher, and
a controversial representative of the nonconformist art tradition of St. Petersburg.
"Transformation de Picasso"
"After Picasso"
Color Lithograph - 136/300 1991Limited Edition: (300)
In the lower right margin. Inscribed "After Picasso"
Monday, 22 December 2014
Saturday, 6 December 2014
Monday, 1 December 2014
Tuesday, 25 November 2014
Francisco de Goya. "Bacchus".
467.
Baco or Los Borrachos.
The Drunkards of the Triumph of Bacchus.
Etching after artist.
Diego Rodríguez de Silva y Velázquez (1599 – 1660) was a Spanish painter,
the leading artist in the court of King Philip IV, and one of the most important
painters of the Spanish Golden Age.
Inscription: Etched below image: "Pintura de Don Diego Velazquez
con figuras del tamaño natural en el Real Palacio de Madrid,
que representa un BACO fingido coronando algunos / borrachos:
dibujada y grabada por D. Francisco Goya, Pintor, Año de 1778"
Francisco de Goya (1746 - 1828) was a Spanish painter.
Saturday, 22 November 2014
Adolphe Jean-Baptiste Bayot
466.
Los ladrones de una venta = Les voleurs dans une auberge.
Etching after artist.
More recent edition.
Becquer lo Dibujó ; G. P. de Villa amil dirigio. Lith. par Bayot .
Adolphe Jean-Baptiste Bayot (1810 - 1866) was a French artist.
Jenaro Pérez Villaamil (1807-1854) was a Galician painter in the Romantic style.
Los ladrones de una venta = Les voleurs dans une auberge.
Etching after artist.
More recent edition.
Becquer lo Dibujó ; G. P. de Villa amil dirigio. Lith. par Bayot .
Adolphe Jean-Baptiste Bayot (1810 - 1866) was a French artist.
Jenaro Pérez Villaamil (1807-1854) was a Galician painter in the Romantic style.
Wednesday, 19 November 2014
Saturday, 15 November 2014
Friday, 14 November 2014
Kjell Aukrust Solan & Ludvig
461.
Solan & Ludvig.
Lithograph - 1995
"Solan, Ludvig og Gurin med reverompa"
In Britain, it is known as "Gurin with the Foxtail"
Lions Røde Fjær 95
Signed in pencil.
Kjell Aukrust (1920 - 2002) was a Norwegian poet, artist,
Solan & Ludvig.
Lithograph - 1995
"Solan, Ludvig og Gurin med reverompa"
In Britain, it is known as "Gurin with the Foxtail"
Lions Røde Fjær 95
Signed in pencil.
Kjell Aukrust (1920 - 2002) was a Norwegian poet, artist,
Thursday, 6 November 2014
Saturday, 1 November 2014
Shiro Kasamatsu
456.
Hazy Evening at Shinobazu Pond, Tokyo.
This is part of Tokyo's famous Ueno Park.
Woodblock prints.
The artist’s seal, “Shiro”, is at the lower left on the trunk of the tree. Left margin: the
Japanese title; the date, “Showa Shichi Nen Haru”
(Spring of the 7th Year of Showa 1932), artist’s name is Kasamatsu Shiro.
Right margin: copyright stamp of the publisher, Watanabe of Tokyo.
Blocks, about 20; superimposed printings, about 25; edition, 300.
First published in 1932 by Watanabe.
Later edition (c. 1946-1957) with black circular 6mm Watanabe seal
in the lower right-hand corner of the image.
Shiro Kasamatsu (1898-1991) was a Japanese artist and painter belonging
to the school Shin-Hanga and Sosaku-Hanga.
Hazy Evening at Shinobazu Pond, Tokyo.
This is part of Tokyo's famous Ueno Park.
Woodblock prints.
The artist’s seal, “Shiro”, is at the lower left on the trunk of the tree. Left margin: the
Japanese title; the date, “Showa Shichi Nen Haru”
(Spring of the 7th Year of Showa 1932), artist’s name is Kasamatsu Shiro.
Right margin: copyright stamp of the publisher, Watanabe of Tokyo.
Blocks, about 20; superimposed printings, about 25; edition, 300.
First published in 1932 by Watanabe.
Later edition (c. 1946-1957) with black circular 6mm Watanabe seal
in the lower right-hand corner of the image.
Shiro Kasamatsu (1898-1991) was a Japanese artist and painter belonging
to the school Shin-Hanga and Sosaku-Hanga.
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